From Notcot
Posted on May 21st 2013, 11:10 PM
Here’s the latest from NOTCOT’s London-based editor and resident zoologist, Justine Aw as she checks out Clerkenwell Design Week 2013.This year Jaguar UK teamed up with RCA to create a design challenge for students of both the RCA’s automobile and textiles courses. Of the 9 group entries, the winning design on show in the Farmiloe building alongside the new F-TYPE comes from RCA students, Ewan Gallimore and Claire Miller. There’s some making imagery over at Carscoops. See more pictures of their sculpture at Clerkenwell on the next page!
TO PAGE 2 of "Jaguar x RCA at Clerkenwell Design Week"! ----->
(Want more visual goodness? See NOTCOT.com + NOTCOT.org)Posted on May 21st 2013, 11:00 PM
La Facultad de Arquitectura de la Universidad de Palermo organiza el Workshop: Una nueva vivienda es posible, con el objetivo de realizar un rediseño de viviendas, generando nuevas configuraciones que den cuenta de los nuevos modos de habitar y nuevos modos de comprender la vida doméstica y colectiva.
El taller se realizará entre el 27 y 31 de Mayo 2013. Más información a continuación.
Finalizado el taller, los mejores trabajos serán incluidos en la revista sobre vivienda social: Deliot...
From Notcot
Posted on May 21st 2013, 10:30 PM
TO PAGE 2 of "Alessi Il Tempo della Festa Timbale Mould"! ----->
Alessi Il Tempo della Festa Timbale Moulds are a set of 6 architecturally inspired silicone molds that come in black, white, and three transparent colorways designed by Mario Trimarchi. As they describe, “Ever since the end of the 1500s the shapes of desserts, cake moulds and timbales have been evolving, often imitating or reproducing forms found in architecture and nature. Mario Trimarchi, with this series of six Timbales for sweet and savory preparations.” Depending on what you’re making, you can layer in different colors and substances to create surprising jello shots, cakes, and more! Take a peek at sketches, initial molds, and more on the next page!
(Want more visual goodness? See NOTCOT.com + NOTCOT.org)From 2modern
Posted on May 21st 2013, 10:08 PM
When Andy Warhol decided to create exact replicas of Brillo scouring pad boxes, of all things, back in 1964, it’s safe to say he wasn’t envisioning...
From Designboom
Posted on May 21st 2013, 10:00 PM
making the most of a small site in a hot climate, the house implements several passive design elements, open exterior spaces, and a green wall containing over 4000 species.
The post paul cremoux studio: cormanca house, mexico city appeared first on designboom.
From Larevuedudesign
Posted on May 21st 2013, 10:00 PM
Par Estelle Berger.
Bien qu’issu de l’industrie, le design ne se limite pas à une utilisation servile de ses techniques. Le designer a pour premier rôle de garantir l’adéquation entre l’objet à fabriquer et les moyens employés pour le faire. Sa démarche peut donc questionner le processus de fabrication en série, sa légitimité ou ses limites. Parfois, la qualité ou le sens d’un objet ne réside pas dans une réalisation parfaite ni dans une reproductibilité sans faille. Pour le sociologue Richard Sennett: « La créativité consiste à comprendre la différenciation et faire en sorte qu’elle s’exprime. Prenez des violons faits par Stradivarius, ils ne sont pas uniques, ils sont tous très différents et chacune de ces différences est porteuse d’expression. Ils ne sont pas multiples au sens revendiqué par Warhol où aucune variation n’intervient dans ses reproductions. La créativité réside dans la différenciation. »(1)
Jusqu’ici, la variation inter-individuelle entre éléments d’une même série était une caractéristique propre au travail manuel, combattue par une industrie qui n’a eu de cesse de chercher à effacer toute imperfection, toute trace d’intervention humaine. Mais certains projets invitent à un changement de regard sur ce que le système industriel est prompt à étiqueter comme « défaut ». L’imperfection, plus que tolérée, y est mise en scène et magnifiée comme une irrégularité maîtrisée, qui permet d’envisager...
Posted on May 21st 2013, 10:00 PM
“¿A qué se dedican los arquitectos?”
Parece una pregunta sencilla. Sin embargo da para generar muchas otras, como se plantea en este nuevo número de la revista ARQ correspondiente a enero del 2013, que ya va por su publicación nº83:
“ En el contexto actual de cambios permanentes y –al menos en Chile– con una sobreoferta creciente de profesionales de la arquitectura que al libre mercado le llevará un buen tiempo equilibrar, quizás la pregunta debiese ser más bien ¿a qué puede...
From Archdaily
Posted on May 21st 2013, 10:00 PM
Constructed for the Changwon Suclpture Biennale 2012 held in Changwon city, South Korea the Brick-Pod Pavilion defines architecture as ‘a sculpture with interior space’, and attempts to create a dome with black bricks which has been used for traditional architecture here in Korea. Designed by Kazuya Morita Architecture Studio, you can enjoy the breezing air, moving leafs, and sparkling sunshine through its numbers of the openings, feeling much more sensitive than when we are outside. More images and architects’ description after the break.
By using only 15mm thickness brack brick, we tried to make it not like a heavy and massive dome as usual masonry architecture does. The dome has a 4.5m hight, 3.3m diameter, 0nly 30 mm in thickness, which means it is much thinner than an egg shell...
From Complex
Posted on May 21st 2013, 09:57 PM
Up, down, up, down, x, x, x!
Posted on May 21st 2013, 09:00 PM
Cortesía de Pablo Llanquin
“Lolo” es el nombre del ultimo piso diseñado por el chileno Pablo Llanquin para la empresa Medular Design. En palabras del diseñador, el objetivo del proyecto ha sido diseñar un piso entretenido que le entregue color y vitalidad a la casa o el lugar donde se inserte, pero que también tenga detalles y materiales más nobles.
Cortesía de Pablo Llanquin
A partir de esto, Llanquin decidió hacer las patas en madera maciza de pino lacado y en su tono natural, las...
From Archdaily
Posted on May 21st 2013, 09:00 PM
Architects: 3 Arquitectos
Location: La Serena, IV Región, Chile
Area: 613 sqm
Project Year: 2011
Photographs: Alberto Castex
Collaborators: Luis Rojas P, (Dibujo CAD).
Client: I. Municipalidad de La Serena + MINVU Cuarta Región, Chile.
Constructor: Constructora Erices y Toro Ltda.
Structural Engineer: Ronald Segovia M.
Technical Inspection: I. Municipalidad de La Serena.
Sanitary: Eduardo Avalos P.
Site Area: Parque 18 de Septiembre, La Serena.
Costq: 19uf/m2
This projects is part of the program ‘Quiero Mi Barrio’ (‘I Love My Neighborhood’) from the MINVU, that seeks to improve the quality of life of the 200 neighborhoods with greater vulnerability and deterioration of Chile.
The edge of the ’17 de Septiembre’ slum is physically deteriorated. It faces huge empty spaces with no defined...
From Complex
Posted on May 21st 2013, 08:57 PM
National Treasures.
From Archinect
Posted on May 21st 2013, 08:32 PM
There seems to be two camps in terms of representation: people who love silhouettes and people who love people. We’ve all made both, and quickly we seem to put ourselves into one camp or the other. There seems to be very little middle ground. I like people. The starkness of the silhouettes populating the scene give off a coldness, a ghostliness, of a not yet conceived project. It seems to keep a project in another world entirely—a world devoted to the abstraction of the render, pristine with shiny materials and black figures.
Zaha Hadid employs the use of the silhouette, which shouldn’t come as a surprise to anyone who has visited her work. There’s inaccessibility to it, a lack of a connection between the computer rendering and the actual build work. The intangible computer model somehow is translated into a built architecture, but the blatant disrespect of the human experience still evident in the obvious struggle to build the unbuildable. She employs the silhouette wi...From Archinect
Posted on May 21st 2013, 08:30 PM
Seed'er Box is my thesis work from Cranbrook Academy of Art. It was prefabricated at Cranbrook's studios and was displayed at the annual degree show from April 20-May 17 2013. The project is currently in transit to a new and permanent site in Colorado. I designed and built the project with the intention of laying down roots for a house using the resources currently at my disposal. A major consideration was designed the building so that the cost of transportation and installation is very low. To do this I kept the dimensions to a scale that means it can travel on the roadway with no special permitting and I build a trailer in tandem with the building to carry it.
My vision for the building is that once it is installed permanently it will exist as a cabin and studio space (for short periods of occupation). Over time I will graft on to the building and site to extend the utility and size of the abode, while maintaining the relationship the interior has to the outside environment.
...
From Designapplause
Posted on May 21st 2013, 08:10 PM
ocean collection | campana brothers | 2013
From 22 May > 27 July, Carpenters Workshop Gallery will show an exceptional exhibition by the Campana Brothers. For their first gallery exhibition in France, the Brazilian designers have created, in tandem with Carpenters Workshop Gallery, a series of unusual pieces entitled «OCEAN COLLECTION», specially designed for the gallery space.
[ ocean ]
An unexpected evolution of the Campana Brothers’ signature Sushi series, the OCEAN COLLECTION builds...
